I came across a still from Jason and the Argonauts, which is a movie that had a profound influence on my formative years. I’d recommend seeing it for the Ray Harryhausen animation alone. So here’s my process.
I started with pencils.
Then I moved onto line work.
Then I added some spot blacks
And followed by some ink wash.
And finally I added a color layer and adjusted the levels in Photoshop.
I was going to document this step by step, but I was so enthusiastic about drawing my dad with the Fez I got him for Xmas that I forgot to document each step properly. I may go back and play with this image further, but for now it’s done. This is an ink wash and brush pen team-up with a little photoshop color tint.
One of my favorites movies is Double Indemnity, which I first saw as a dumbass 18-year-old. Dumbass or not, I was able to appreciate the beautiful compositions and noir lighting.Recently, I watched this on a projector and I was able to take some very crisp reference photos. Here’s a process series!
In my continuing journey through heavy shadow, I have drawn some brawny bots.
I had two goals in drawing these bots: first, the robot on the left has a level of detail that I usually illustrate with line work, but I wanted to try to delineate details with light and shadow rather than line. And second, the robot on the right has a simple enough design that I could get a little playful with my highlights.
My friend and writing partner is putting out the first chapter of his comic, and I have done the cover for him. He gave me a lot of artistic freedom (but not a lot of time), so I went with the cover of the classic EC cover that so enraged Frederic Wertham and other 1950s denizens.