I came across a still from Jason and the Argonauts, which is a movie that had a profound influence on my formative years. I’d recommend seeing it for the Ray Harryhausen animation alone. So here’s my process.
I started with pencils.
Then I moved onto line work.
Then I added some spot blacks
And followed by some ink wash.
And finally I added a color layer and adjusted the levels in Photoshop.
I was going to document this step by step, but I was so enthusiastic about drawing my dad with the Fez I got him for Xmas that I forgot to document each step properly. I may go back and play with this image further, but for now it’s done. This is an ink wash and brush pen team-up with a little photoshop color tint.
One of my favorites movies is Double Indemnity, which I first saw as a dumbass 18-year-old. Dumbass or not, I was able to appreciate the beautiful compositions and noir lighting.Recently, I watched this on a projector and I was able to take some very crisp reference photos. Here’s a process series!
In my continuing journey through heavy shadow, I have drawn some brawny bots.
I had two goals in drawing these bots: first, the robot on the left has a level of detail that I usually illustrate with line work, but I wanted to try to delineate details with light and shadow rather than line. And second, the robot on the right has a simple enough design that I could get a little playful with my highlights.
Since I’v been drawing so many astronauts and astroscapes, I thought I’d throw back the curtain a little and explain my process. I have skipped the penciling stage in this post, but, faithful readers, if you would like to see that stage, I’d be happy to oblige.
I had originally applied a wash directly to this piece, but I took it out when I decided to apply a wash digitally.
Here’s the astronaut sans wash.
This is the wash that I did on a separate piece of bristol. Once it dried, I used a brush to splatter white ink over it to resemble stars.
I touched up some of the shadows on the astronaut. I also tool parts of another wash to create the “depressurizing bolt” emitted from the astronaut’s cracked helmet. In the future, I’d like to ad another tone to the astronaut’s body, and maybe add some planets.