My friend and writing partner is putting out the first chapter of his comic, and I have done the cover for him. He gave me a lot of artistic freedom (but not a lot of time), so I went with the cover of the classic EC cover that so enraged Frederic Wertham and other 1950s denizens.
In my continuing experience with midtowns and color, I have unlisted the aid of some crows. My uncle was kind enough to photograph these crows at the beach.
I used a grey brush pen for the crows on the right, which gives the midtown a watercolor-feel. The crows on the left use a red brush pen that I manipulated as a solid block of color.
Going forward, I plan on using halftone dots in conjunction with other colors. Stay tuned!
Here are the original crows.
Greetings, friends! Today I would like to blame my lack of posts on several back to back projects that took most of my time in the last two months.
My first project is called Kentucky Killzone, and I am working on it with my friend and colleague Eric Wong. He’s a great writer and I’ve been having a ball working with him. The premise of Kentucky Killzone is very similar to Die Hard, but it tells the story behind the “Bowling Green Massacre”, which is a fictional terrorist attack fabricated by that news anchor Kellyanne Conway. The issue that we finished is like a pilot episode for more adventures! Here’s the cover and a sample page:
The other project that I’ve been working on is a non-fiction piece for the Project Censored 2017 Book, which I worked on with professor and author Adam Bessie. Ever since I assistant taught a class on comics journalism, I’ve been enthused about collaborating on an editorial or journalistic comic, and lo, my hopes were realized. Adam’s an incredible writer and I look forward to working with him in the future. Keep an eye out for Project Censored’s 2017 book.
The premise of this piece is the nature of alternative facts in the Trump administration and how they parallel certain SciFi tropes. Here is a sample page: