To get a change in my routine, I like to draw these large posters, and try out different coloring and shading techniques. Using a variety of subjects, I get a feel for how appropriate a particular technique might be in a particular situation.
Additionally, this is exercise is a great way to gain perspective (no pun intended) on your art style; drawing an object out of context helps me think about how I render the qualities that go into that object, ultimately helping me grow as an artist (I hope).
If you’re interested in doing a similar project, I suggest getting any large surface on which you would enjoy drawing. Leave it someplace convenient and add to slowly.
Since I’v been drawing so many astronauts and astroscapes, I thought I’d throw back the curtain a little and explain my process. I have skipped the penciling stage in this post, but, faithful readers, if you would like to see that stage, I’d be happy to oblige.
I had originally applied a wash directly to this piece, but I took it out when I decided to apply a wash digitally.
Here’s the astronaut sans wash.
This is the wash that I did on a separate piece of bristol. Once it dried, I used a brush to splatter white ink over it to resemble stars.
I touched up some of the shadows on the astronaut. I also tool parts of another wash to create the “depressurizing bolt” emitted from the astronaut’s cracked helmet. In the future, I’d like to ad another tone to the astronaut’s body, and maybe add some planets.
Here’s another piece I did at school. The assignment was to draw someone in an incongruous setting, so I drew Ted Nugent in space. I unintentionally made him blend into the rock wall, as if the Nuge lies in wait.