Yes, friends, I am continuing my journey into half tone land with some chickens.
I was quite proud of the brush strokes on these birds, and I think they elton themselves to halftone.
Here are the original birds.
In my continuing experience with midtowns and color, I have unlisted the aid of some crows. My uncle was kind enough to photograph these crows at the beach.
I used a grey brush pen for the crows on the right, which gives the midtown a watercolor-feel. The crows on the left use a red brush pen that I manipulated as a solid block of color.
Going forward, I plan on using halftone dots in conjunction with other colors. Stay tuned!
Here are the original crows.
To get a change in my routine, I like to draw these large posters, and try out different coloring and shading techniques. Using a variety of subjects, I get a feel for how appropriate a particular technique might be in a particular situation.
Additionally, this is exercise is a great way to gain perspective (no pun intended) on your art style; drawing an object out of context helps me think about how I render the qualities that go into that object, ultimately helping me grow as an artist (I hope).
If you’re interested in doing a similar project, I suggest getting any large surface on which you would enjoy drawing. Leave it someplace convenient and add to slowly.
I’m pleased to announce that I will be a part of an anthology done by my colleague Lauren Davis. Called SciFi San Francisco, this anthology is a collection of science-fiction comics set in the Bay Area. Lauren has done a great job of curating this anthology, and I cannot wait for it to come out. I do not have a definite release date as of this writing, but I will keep everyone abreast of changes!
My piece is called For Rent, and it is about inter-dimensional realty as a solution to the current housing situation in the Bay Area.
I worked on For Rent with my friend Eric Wong. You may remember him from our comic Kentucky Killzone, which is available on Gumroad here.
To whet your appetites, here’s the first page of my story For Rent!
Always interested to try new rendering techniques, I have been playing with the saturation on some of my illustrations in Photoshop. I started with the goal of moving from purely black line work, and that has led me into some interesting territory.
Additionally, I’ve been playing with various methods of applying midtones. In the examples that I have provided, I used a mixture of halftone dots, mezzotint, and pointizing.
I’ve used this scissors design as an example.
Here’s the original image.
Greetings, friends! Today I would like to blame my lack of posts on several back to back projects that took most of my time in the last two months.
My first project is called Kentucky Killzone, and I am working on it with my friend and colleague Eric Wong. He’s a great writer and I’ve been having a ball working with him. The premise of Kentucky Killzone is very similar to Die Hard, but it tells the story behind the “Bowling Green Massacre”, which is a fictional terrorist attack fabricated by that news anchor Kellyanne Conway. The issue that we finished is like a pilot episode for more adventures! Here’s the cover and a sample page:
The other project that I’ve been working on is a non-fiction piece for the Project Censored 2017 Book, which I worked on with professor and author Adam Bessie. Ever since I assistant taught a class on comics journalism, I’ve been enthused about collaborating on an editorial or journalistic comic, and lo, my hopes were realized. Adam’s an incredible writer and I look forward to working with him in the future. Keep an eye out for Project Censored’s 2017 book.
The premise of this piece is the nature of alternative facts in the Trump administration and how they parallel certain SciFi tropes. Here is a sample page: